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**PREORDER** TELEVISION - MARQUEE MOON (ULTRADISC ONE STEP) (2LP/180GM/45RPM) VINYL
TELEVISION
** PLEASE NOTE: THIS IS A PRE-ORDER, EXPECTED ARRIVAL TBA **
180GM 45 RPM 2LP UltraDisc One-Step Pressing. 3,000 numbered copies.
Sourced from the original analog master tape - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe. Pressed at Fidelity Record Pressing for superior sound.
Television reimagines guitar rock on Marquee Moon, reissue reveals brilliant dynamics, textures and tones!
Television's Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York's thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked.
Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity's UltraDisc One-Step 180-gram 2LP box set. Strictly limited to 3,000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television's incomparable journeys for perhaps the first time.
Mobile Fidelity Sound Lab's deluxe, industry-leading packaging adds to the set's desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon — from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a "weird spirally shape" that visually captures the inertia, vibe, and patterns of the songs.
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